We’ve all survived encounters with our nuclear family (presumably), and if you’re like me and live up north (Canada is 3 hours away!), then you’ve undoubtedly had your first run in with some snow. So that got me to thinking about songs that reminded me of winter or that had a nice sitting by the fireplace sipping hot chocolate type feel. After a while, I had a whole mix, so here it is:
I don’t know how I missed this, Spoon’s new video for “Don’t You Evah” references the viral video of the keep on dancing yellow squishy guy. Except this time he goes on an adventure through (I’m Assuming) Tokyo. Look closely for cameos from Jim Eno and Brit Daniel. If there were justice in the world, kids everywhere would get a keep on dancing yellow squishy and a copy of Spoon’s Ga Ga Ga Ga Ga. You know what they say, “Be the change you want to see in the world”…
It’s Thanksgiving, so that means I am going to do a little extra today by posting my radio show track by track, including my custom little promotional advertisements, which I enjoy way too much. Keep an ear out for next week, there’s going to be even more ridiculous promos, which are my favorite thing ever right now. AZLTRON Station ID #1
It’s crazy, before a new indie song can humbly rest into our frontal lobes, it has to be covered. If I remember right, it even took “Crazy” a couple months before the onslaught of coverage. The new cover is Ruby Isle’s much more electronic take on the Hello, Blue Roses song Shadaw Falls. The Kindercore label that supports Ruby Isle said:
“Last Friday, Ruby Isle was in the middle of recording our new record and were looking for some inspiration so we decided to take whatever track was number one on elbo.ws and cover it. It turned out it was a song by Hello, Blue Roses called Shadow Falls. Hello, Blue Roses has that guy Dan Bejar in it from Destroyer and The New Pornographers. It was a pretty easy song to cover because it is very simple. Basically a chorus with some verselike parts that go in and out. Our take on it is VERY different, I hope we don’t offend HBR because we mean no harm. It was just supposed to be a fun send up of a current indie fave. Keep in mind we recorded and mixed it in about 5 hours.”
In the same spirit of otherworldly dance/rockers the Klaxons comes Melbourne’s Midnight Juggernauts. Their debut album Dystopia, throbs with equal parts psychedelia and stomping beats. Often times sounding like the raucous procreation of David Bowie and Justice. If you’re headed into another dimension via experimental space-craft anytime soon, The Midnight Juggernauts might be just the thing for you.
Do you remember those “Greatest Hits” collections of the 1980′s that over saturated the airwaves weekend afternoons? I do, particularly the “What’s on Your Mind (Pure Energy)” song by The Information Society. Years later, I can safely blame a large part of my musical taste on these commercials, particularly being exposed to New Order’s “Bizarre Love Triangle” from them as well. Anyway, since then I’ve re-examined Information Society and found them to be a great deal sillier than I thought they were in my youth. The huge hair, the science fiction clips, and barrages of silly FX rhythms were a sign of late 80′s club culture, but there’s something endearing about their mix and match Spock-Rock that carries through to today.
I haven’t had a reason to write about Information Society before other than maybe as a fun entry for a slow day, but they released a new album “Synthesizer” earlier this year. Like most New Wave comebacks their latest release has taken a turn for the dark to conceal their former silliness. Singer Christopher Anton takes a noticeably David Gahan-esque vocal style for the album. While the songs ride on safe rave-house techno that only occasionally erupts into a full on pop collages, they are surprisingly not as embarrassing as you’d think. They’ve tempered their excessive sound with vintage sounds evoking their 1980′s halcyon days without a lot of the cringe-able tacky-ness that they devolved into in the 90′s. While there’s nothing new or innovative about the album, it’s cool that that Information Society can still stand with the best of the New Wave copycats.
It’s been three years since the Moving Units released a full album and you can tell immediately that the band has progressed past their Rapture worshiping punk/funk style and looked farther back, taking more influence from Post-Punk. Unlike the Rapture who went straight for a polished pop sound, The Moving Units, while still more polished, kept the dark and sleek element to their music.
The electronics are brought more to the forefront on Hexes for Exes, the lead off single “Crash ‘N’ Burn Victims” starts off with a descending digitized bass line that subtly leads to handclaps and a digitized beat accented by synth that recalls “Anyone” from their previous album. This is a very good thing, since that was my favorite track off of the previous album. Another song that makes great use of that electronic bass sound and Flock of Seagulls style chorused guitar riffs to make an ominous atmosphere is “The Kids from Orange County”, which is a front runner for my favorite song off of the album. One of the other front runners is the bouncy Age of Consent-ish “Dark Walls”. While Hexes For Exes trades in it’s raw funk energy for post-punk propulsion it is just as good if not better than Dangerous Dreams.
So I have a show that is broadcast from WNYO every Monday from 11-noon. I know that many people are in class or at work and cannot listen. However I am in the process of developing techniques and schedules so that everyone can listen to my show. If you can you should definitely listen next week because I have a special guest co-host. Anyway one of my plans is to post all the tracks I’ve played the same day.
I realize that it is Wednesday morning and that I am posting Monday’s show. So, I’ll just get to it.