November 29, 2008

Guess What Wesley is Dressed as! Plus: Superb Saturday Mix!

This is it! The last Wesley the Robot Cartoon of the year! I decided to take a hiatus from the squid battle and do something more festive and cute. Who would have ever thought that “Cute” would be the word to describe this emotionally impaired automoton? Stay tuned for more on Wesley’s meteoric rise to fame.

November 28, 2008

Asian Singing, Piano & Dance Beats with Gejius

Gejius is an electronic artist out of Portland, Oregon whose real name is Aaron. What a great name. His work features innovative and melodic uses of electronic instruments. His work on the track Makkuro Kurosuke even features some kind of Asian chant with ballad worthy piano. On his So Sad(Gravity/Love) remix he stretches the vocals 40 yards past autotune and plants it in the endzone of innovative electro. If I had to categorize it, I would say it’s like Radiohead, Mouse on Mars, and the Notwist roadtripping across the USA

November 27, 2008

Have a Very AZLTRON Thanksgiving!


Well, it’s that day again, the day to gather around with family and rub a long fork like utensil and a knife over a very dead piece of poultry. Pass the cranberry sauce ’cause Grandpa is going to tell you about the weather and the news. It might be time to start bracing yourself for an extended amount of time with your nuclear family. Time to find your zen, get in your happy place and endure the hot coals of superficial niceties.If you find all this togetherness a little awkward (Like Me), it’s also the day to trace your hand and turn it into a poorly rendered turkey! Check out this tom to the left! Pretty handsome eh? Anyway, I’ve composed a mix of entertaining Turkey-Day tunes. Enjoy!

Lowfish Burns the Light Out on New Album!

Toronto born Gregory De Rocher has been using the moniker “Lowfish” since 1995 to label his unique brand of electronic that stradles IDM and old school synth pop. He got his name because he prided himself on the “lo-fi-ish” sound of his recordings, and the name stuck. On his new album Burn the Lights Out, Lowfish again uses vintage technology and analog skills to make music that fans of Depeche Mode, Skinny Puppy, Giorgio Moroder, Aphex Twin or Modeselektor will no doubt enjoy. Sometimes dark, sometimes poppy, always innovative, Lowfish has got the goods.


Sissy Ven’s April & May


Sissy Ven’s
new single “April & May” runs the full electro gamut. Starting off with sparse drums and soundscaping synths, the banger slowly adds in new elements, from high pitched wailing synths to full on party down handclaps. There’s even breaks from the dancefloor melting and some faint vocals before the song shakes up and drops back into debauchery mode. It might almost be December, but Sissy Ven will have you aching for spring with their single “April & May”.

Sissy Ven – April & May

November 26, 2008

My Dear Disco Invites you to Dancethink!

My Dear Disco is a band out of Anne Arbor Michigan being hailed by many as that area’s new “it” band. They may not be far off. The band pumps out funk-tastic electro that dabbles in r&b and swirly island rhythms with full on soulful vocals. What are they putting in the water in Michigan?

My Dear Disco – White Lies

My Dear Disco Myspace

Guest Blogger Reviews El Ten Eleven @ The Bug Jar!

Since I can’t be everywhere at once, I’ve decided to start outsourcing some articles to some of my friends if they feel like writing. Don’t worry there’s no India tech support in the pipeline, but there is a review and photos of El Ten Eleven’s performance at the Bug Jar, courtesy of my congenial cohort, miss Sarah Heppel.

“So, I made the trip to Rochester Sunday morning with the main purpose to go to the Bug Jar and see El Ten Eleven.

We had about an hour to kill before doors opened, but we wanted to go there even later than that so we headed to a coffee shop that a friend recommended. Turns out it was closed so we ended up going to this other diner to get coffee. It wasn’t as fun and we weren’t there very long. We headed to the Bug Jar, but the show wasn’t going to start until like 10:30 or later so we were confused about what to do next. Soooo, we ended up going to another coffee house, Boulder Coffee. It was interesting because it was open mic comedy night! It was Semi-entertaining. We hung out for a while.. I didn’t get anything there because I just had coffee at our previous stop.

Finally, when we arrived @ the Bug Jar, the first band was about to start. My boyfriend Tim and I took a shot and had a beer to warm up. We went outside and stood for a while. We didn’t really care for the first band, The Cheetah Whores, at all. The second band, The Ideas, (?) were good but I felt the electric violin in the band wasn’t as prominent as it could have been. They still were good, though.

A few beers later, El Ten Eleven starts piling their stuff on stage. If you remember my post a month or so ago, I promoted this band, and when I saw the documentary Helvetica, there was a band I fell in love with who had a bunch of songs on the documentaries soundtrack.. Well this is them.

They have quite the gear load for a duo. The bassist/guitarist has a pedal board as long as I am tall, or so it seemed. He has 2 double neck bass/guitars and a few other guitars he uses. He was mainly lovin’ on the double neck and his single bass. He uses a loop pedal and manages to make the tunes sound not repetitive. He’s constantly tapping his feet on different pedals. He is the busiest guitarist I’ve ever seen. Their music was dead on and their attitudes showed they were loving Rochester.”

El Ten Eleven – I Like van Halen Because My Sister Says They are Cool

El Ten Eleven Myspace

For more from my amicable alcoholic amigo (JK!) check out her blog here.

Jonathan Visger’s North South EP

Mason Proper’s own Jonathan Visger recently struck out on his own to channel the sound of Mason Proper through the big beats and breaks Hip Hop production. It was his intention to get under the skin of the hip hop approach to music and recreate some of those driving moments where the breakbeats drop and sound really, really good. The beats here definitely have some bite to them, but it’s the musical textures and Visger’s entertaining lyrics that demand all the attention.

A whimsical guitar melody kicks off opening track “Books About Nothing”, sounding a bit like Vampire Weekend before a harmonica drops in along with waves of reverb. On the song, Visger muses “I got a job at a meat shop, only thing they think I’m qualified for, I read a famous book about nothing, it was incredibly thick”, incisively describing the rut that many of us fall into, working a dead end job, looking for something more but coming up empty. But the lyrics “I want to read more books about nothing” toward the end of the song indicate that hope isn’t lost, and that the traction to get out of that rut could be one ridiculously long book away.

The following number, “Fish Eyes” opens with a glorious synth tone as Visger’s vocals chime through a low-fi microphone or some kind of megaphone going on about the primordial goo that we evolved from as well as landlords and tenants. This fever dream of a song makes excellent use of funky guitars, neat keyboard noodling, and features the most driving hip-hop beat on the album. A highlight for sure.

The next song “Give Blood, Save a Life” employs a beautiful bad day piano melody that perfectly echoes the lyrics “This has been a long day, this has been a long, long, horrible, horrible day”. The whistles and backwards guitar add some great flavor to the song. I couldn’t think of a better song to carry a grudge to, while walking on a downtown sidewalk with your scarf pulled up over your nose.

Finally, “The Stupidest Things” opens with the sparsest keyboard melody and drum beats on the album before building and building into a prehistoric interpretive dance break down.

The lyrical content of the EP makes me believe that this is a celebration of isolation and introspection. About speculating about the guy who lives next to you while reading text books about how the eyes of fish have evolved. Overall, Jonathan Visger’s whimsical melodies and half crazy ADD lyrics make his North South EP a joy to listen to.

Jonathan Visger – Fish Eyes

Secret Tunnel Group – Jonathan Visger (You can buy the album here for $3.00! What a deal!)

November 25, 2008

All ‘Killer’ No Filler on Day & Age

The Killers’ new album “Day & Age” marks their return to the sublime dreamy pop that got the kids excited in the first place. With “Sam’s Town” they tried to please the guy in the crowd that made fun of their make-up and suits, what they didn’t realize though, was that he paid to get in. They already had the backwards hat frat crowd. I remember when I opened my door for a doofy R.A. my freshman year and he saw my Killers shirt and couldn’t stop talking about how great the album was.

That said, this time around The Killers do push their style in ways that do succeed wildly. From the slow burning opener “Losing Touch” that makes excellent use of left over “Bones” horns, to the dance ’till you drop beats and synths of “Human”, to the most complete return to Hot Fuss Form “Spaceman”. The Killers set the tone early, they are back, and then they give you a tour of Vegas with reckless abandon. Like on the cowboy steel drum funk that is “Joy Ride”, the song is unabashedly fun, but Brandon Flowers’ earnest vocals ground the debauchery with the wide eyed wonder of a designated driver caught in the spotlight.

On “Sam’s Town” it felt like The Killers were spinning their creative compass, on “Day and Age” it feels as if they’ve thrown it out and just headed towards a star. Brandon Flowers still uses his more “salt of the earth” lyrical approach but this time around the music itself towers as tall as his words. Where as on “Sam’s Town” there was no monolith of sound to sweep up those hometown ambitions. That means, yes, they use the power ballad more than once, “A Dustland Fairy Tale”, “This is Your Life”, and “The World We Live In”, where they sound more like Duran Duran than they ever have before, and strangely enough it’s a good thing. “Day & Age” offers up a smorgasbord of obvious influences of the band in each song like the decidedly Talking Heads-esque “I Can’t Stay” to the Curish “Goodnight Travel, Travel Well” that uses circular synth patterns that sound an awful lot like “Pictures of You”, but they also imprint their unique stamp on each song and even make songs that have great potential to seem gaudy or redundant, “Neon Tiger”, and made it sound somewhat fresh and new. Even the album art fits perfectly with the warm glow that the album leaves you with. A glow warm and good enough to let me finish this review with the phrase; “All killer, no filler” and mean it.

The Killers – Human (Ocelot Remix)

The Killers – The World We Live In

The Killers – Forget About What I said (Bonus Track)

The Killers Myspace

November 24, 2008

Heads We Dance Release New Single "Human Touch"!

The Leeds, UK synth pop group Heads We Dance has finally released their new single “Human Touch”, available now in limited 12″ and as a free download. The single roars to life with sirens in lending itself to the imagery of a “Metropolis” like retro-futurist city. Vocals are run through a razor sharp vocoder and diced to perfection in between hyper aggressive snares and mountains of fuzz bass, pausing only to tease you with a Daft Punk-like interlude before diving back into the mayhem. The B-side “You Are Never Alone With Model 21″ spotlights the velvety smooth vocals of Pierre as heavily phased riffs whiz by like hyper futuristic taxi cabs. If you’re a fan of the Human League, Daft Punk, Justice or just plain quality dance music “Human Touch” is for you.

Heads We Dance – The Human Touch

Heads We Dance – You Are Never Alone With Model 21


Heads We Dance – Love Version 15

Heads We Dance Myspace

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