August 20, 2009

An EP of Pocket! (Richard from the Burnside Project)

Richard Jankovich is a producer from Los Angeles who goes by the name Pocket. He is also the front man of electronic pop outfit the Burnside Project who have put out two excellent albums; 2003′s The Network, The Streams, The Harmonies and 2005′s The Finest Example is You. Under the Pocket name, Jankovich has has remixed Beck, Radiohead, Kristin Hersh, Of Montreal, Elk City, Joanna Newsom, Mendoza Line, Dirty on Purpose, Eskobar, Cat Power and others, always with groovy results.

Now, Jankovich has taken his music production skills one step farther, enlisting the aid of current and classic vocalists and musicians for a series of singles for online release. Among the collaborators are Yuki Chikudate from Asobi Seksu, Steve Kilbey from The Church (Known for their single “Under The Milky Way”), Mark Burgess from the Chameleons (Another influential post punk band!) Danny Seims from Menomena and many others. I’ve been able to give a listen to three of the tracks so far, and I can really hear how Jankovich’s songwriting and music production have evolved over the years. I think it was a good exercise for Jankovich to distance himself from vocal and lyrical duties because while his vocals are innovative and his lyrics are insightful his actual vocal abilities aren’t his strong suit. Not that there’s anything wrong with that, case in point Bright Eyes, James Figurine, Casiotones for the Painfully Alone etc. don’t’ have exceptionally strong vocals but make great music. On the new EP, free from those duties, the melodies soar, The arrangements are more lush, and the sound just envelopes you like a warm blanket.

April 16, 2009

Helicopters Take Off on "Distance"


Chicago Illinois based electro-indie-pop group Helicopters have released an excellent new album entitled “Sizing up the Distance”. What is unique about this project is that the electronics stem from the melodies and the organic elements of the music rather than a beat defining and predicting all other elements. Kind of like how the Notwist accented their tunes with electronic ornamentation on their latest album “The Devil, You + Me”. Imagine that kind of sonic mix, now think straight up indie pop with guitars blazing. Imagine the Postal Service or The Burnside Project with a little more fire on the fretboards.

January 23, 2008

Chris Price’s Future Pop

Chris Price is an electronic music artist whose compositions garnered attention from the early to mid 1980′s in many adult films under the name D’Crescendo. At the time too young to view the movies that his music was in, he went largely unaware of the recognition that he was receiving from the films. It is said that people began going to the movies for the music alone. As Chris Price came of age, the adult entertainment industry began moving away from original music works and started copying the top 40 musical styles to engage a larger audience. It was at this time that he shed his D’Crescendo moniker and began doing work for the Weather Channel and through this forum eventually caught the attention of a prominent Christian movie director, for which he produced the music for a series of direct to video releases. From this exposure he influenced Gangsta Christian rapper Geto Deacon to make an album comprised almost completely of Chris Price samples. After revisiting the works of his D’Crescendo days, Chris Price has decided to make an original album in the flavor of his influences; which include Pet Shop Boys, New Order, and Depeche Mode among others.

Chris Prices’ music is excellently programmed, he has a true understanding of vintage synth-pop that many are sure to enjoy. His mastery and appreciation of synth pop classics also comes with a classic case of the New Order problem. The music itself is wonderful, full of throbbing rhythms and catchy melodies but the lyrics sometimes leave something to be desired. Even fans of New Order have to concede that Bernard Sumner is not the world’s most brilliant lyricist. While sometimes this is endearing, other times it can be quite painful to endure (ala “Booty Magic”). Then again maybe it’s influence from being around the sub par acting and scripts of the adult film industry and the Christian film industry. That said, I applaud his willingness to experiment with so many different styles. Collectively there are still solid hits on his debut Post Pop Parade with the decidedly Herbie Hancock-ish “Work It”, the slow burn of “And She Was” (No not a Talking Heads Cover) that is a wonderful homage to New Order, complete with heavily chorused bass melody, and obvious lead single “Dim the Lights, Evangeline” that combines the catchiest lyrics on the entire album with sublime squiggly synths. If you’ve got a fever, and the only medication is more vocoder, Chris Price is prepared to fill the prescription.

June 7, 2007

An Easy Sell

Back at the end of High School and the beginning of college I became fascinated with the sounds of the Postal Service and I was looking all over for acts similar to them. I found out about all kinds of indie/electronica bands like Lali Puna, Ms. John Soda, Styrofoam, Stereolab, and the Go Find, but out of all of them the Burnside Project forged a special place in my heart. I think it’s because when I heard them they were relatively unknown and their raw juxtaposition of indie style guitars and electronics evoked a very New Order kind of feel. Their minimalist guitars and poppy electro alongside almost spoken word vocals was very endearing. I liked to think of them as my secret band for a while, but it seems now that the secret is out.

The Burnside Project released a follow up to their 2003 debut “The Networks, The Streams, The Harmonies” in 2005 with the only slightly shorter titled, “The Finest Example is You”. The sound on the new album was more natural, with the songs being based around vocal melodies more, the guitar fleshed out, and even at times live drums. In short, the songs sounded more like pop songs with electronic influences, rather than electronic songs with pop influences. Richard Jankovich’s voice sounds like a more breathy Ben Gibbard and it took me some time to get used to it, and sometimes his lyrics come off a bit awkward over the lush soundscapes, but he contributes some wonderful harmonies on the addictive breezy “Get Better Soon” (3) and the building “Another Way” (6). The guitars and keyboards have progressed as well, working together almost seamlessly to create a smooth upbeat atmosphere. The guitars in particular have been beefed up, no longer the occasional melodic plunk here and there, there are full on riffs at times and even something of a guitar solo on “Just Drop Off” (5). All this progression doesn’t mean that they’ve ditched the kinetic dance music that got them noticed, there are dance tracks aplenty from the opening salvo of “Signs of Perfection” (1) and “And So It Goes” (2) to the four on the floor stomp of “One to One” to the arguable high point of the album “Start Again” (10). I’m surprised that the smooth energy of the album didn’t garner attention for car commercials, but then again, we can look at that as a good thing because we can keep them secret for a little while longer.

At least until their new album later this year.

Burnside Project Myspace (New Song “Synchronized Spinning”)

MP3 – Burnside Project – Signs of Perfection

MP3 – Burnside Project – Get Better Soon

Video for “And So It Goes”:



P.S. Here they are performing a Funky New Jam (Youtube)

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