November 6, 2009

Exclusive Interview with Jimmy Gianopolis of Pretty Good Dance Moves!

Filed under: brooklyn,Chicago,Dntel,pretty good dance moves,Sally Shapiro — AZLTRON @ 8:55 am

I had a chance to correspond with Jimmy from the up and coming electro dance group Pretty Good Dance Moves (PGDM) about the beginnings of his band their ties to Bjorn from Peter Bjorn and John and what’s in store for their future.

How did you guys meet up and form “Pretty Good Dance Moves”?

We are old friends. Aaron had a ton of old vintage synthesizer and keyboards and actually lived below a recording studio. I picked up a few drum machines and learned how to use them. Together we started making music. I really wanted to get some female vocals on our tracks so I called my friend Genevieve and she brought it.

How did the name “Pretty Good Dance Moves” come about?

We started making music just for kicks and wanted a name that was “Pretty Good”. So we came up with Pretty Good Dance Moves. Originally I think our intentions were to make basement thumping, electro screaming, punk anthems…. It didn’t exactly end up quite there.

Why not name yourselves “Really Good Dance Moves”? Do you feel that there is value in being modest about your fancy footwork?

To be honest i dont think either of us can really dance with out trampling those around us. However, i think… I think… Aaron thinks he is a good dancer.

Your sound is a great combination between beats, pleasing melodies and heartfelt lyrics that’s on par with fine work by artists like Dntel and Sally Shapiro, who inspires you to make beautiful music?

We are huge fans of Kraftwerk, Album Leaf and bands like that. Aaron and I both have a pretty thick collection of deep cuts that we enjoy regularly. I do like Jimmy Tamborello and what he does with Dntel. I watched this youtube clip of him showing off his gear in his home studio, pretty fresh.

Bjorn from PB&J appears on your newest track “Leave Me Alone” how did you get him in on the track? Is it true that he also plays keyboards in the band?

Ha ha, no he does not play keyboards in the band but he has a bunch of his bands gear stashed at my place here in Brooklyn and I did do a little tracking with his Casiotone MT-68. I ended buying one off of eBay for 50 bucks! I met Bjorn a few years back in some basement bar in the east village. We liked each others music i guess, we talked about collaborating together. About 6 months later I sent him some tracks and “Leave Me alone” was cut.

Your video for “Demons Dancing” looks like it was a blast to put together, what was the process of making that video like?

Kristen [Schaal of Flight of the Concords fame] dug the track so I asked her to be in the music video, that was the easy part. Nick was the hard one to convince. I saw him at some dive having some sort of dance off, it was weird, it was amazing! I told him I was shooting a video in a few weeks and asked him if he would be in it, he responded by saying; “I don’t do videos, sorry.” It took a little convincing and a few beers for him to say yes but he agreed to do it. We’re buds now. They were both a blast to work with. I remember it was really hot out and I had to catch a flight about 3 hours after we all met up to shoot it. We shot it in about 2. I have tons of great footage that didn’t make the video, super funny shit !

Do you guys get out and DJ at clubs? If so, what’s the most enjoyable aspect of doing that?

We do actually. People pay us to play tunes we like, its amazing! We have DJ’d opening for bands that we dig like Crystal Castles and Raveonettes. It’s definitely a perk, getting to spin at rad clubs.

Your live show on KEXP was compelling with all kinds of electronic and organic (Flute!) eclectic bells and whistles, are you planning a tour anytime soon?

Oh man! I flew in to Chicago a few nights before we did that and we had never performed live before, never even practiced really. The flute was a little joke between all of us, kind of like “lets see if we can pull this off”! Our live set is a lot different now but that was really fun and nerve wrecking! We plan on touring in the near future, we love playing for boys and girls.


March 31, 2009

Logan Lynn Provides some Electronic Emo that’s just Dandy!


Logan Lynn is an artist out of that aural metropolis we call Portland, Oregon that has recently been signed to the Dandy Warhol’s “Beat the World” label. His new album “From Pillar to Post” is an emotional journey through sprawling soundscapes of sparkling pop melodies and jagged glitchy beats. As the press release on his page says; “He Puts the “Disco” back in “Discomfort”.

Even though Mr. Lynn’s music is just now coming to my attention, he has been at it a while. He has released 2 albums since 2000. The first was entitled “Glee” and was a combination of optimistic beats and electronics with heart wrenching lyrics and themes. His self-titled sophomore effort was released in 2006. Following a collaboration with Carlos Cortes of the Portland DJ collective ‘Assemble’ on the track “Feed Me to the Wolves”, the two decided to work on a full album together. This album is the aforementioned “From Pillar to Post”.

The lead single “Burning Your Glory” plods along with ethereal guitar melodies accented by synth tones that drop like pins in a silent room. Each crystalline tone has the potential to send a chill down your spine. Other tracks like the excellent “Feed Me to the Wolves” pick up the pace, but don’t expect all out dancefloor funkiness, but rather mood pieces that whirl by like streetlights on a long drive home.

There hasn’t been a release with this level of “bloody heart on sleeve” emotion tied to an electronica project since The Postal Service’s “Give Up” in 2003. Others have matched The Postal Services musicality over the years, but Logan Lynn’s lyrics and delivery drip with digitized drama and pathos.

February 20, 2009

New Video & Album from Broken Spindles (Joel Petersen of the Faint!)


Introvert from Broken Spindles on Vimeo.
Joel Peterson, the driving force behind the low frequencies for The Faint has a new album out under his solo moniker Broken Spindles entitled “Kiss/Kick”. This time around Petersen wraps a somewhat pop structure around his morbid sonic experiments. Sample a smattering of savory songs below.

March 22, 2008

Science for Girls

Science for Girls is the brainchild of Darren Solomon, a producer with roots in Jazz and Brazilian music. His debut album features a slew of guest vocalists over the course of 10 downtempo electronica songs. Fans of expansive textured synthpop like DNTEL will find something to like here. Often times the songs bloom like a flower in slow motion in the spring. Conveniently for my previous analogy there’s even a song called “Violets”.

While I was looking over the bands Myspace I noticed that one of the influences was Wendy Carlos who was a pioneer of electronic music and recreated many classical (Ludwig Van Beethoven) works in the early seventies with a Moog synthesizer, perhaps most noticeable in the cult Kubrick film A Clockwork Orange. The same kind of classical tones come through even in the distorted electronics making for what I regard as the most sophisticated down-tempo electronica I’ve heard in a long time.

Not to be pigeon holed as a one trick pony, Science for Girls has a couple standout indie-pop tracks that are too cute to not be mentioned, most notably “Australia”. If you know anyone from Australia, no doubt you’ll be playing this track for them within 10 minutes of your knowledge of its existence.

Science for Girls – Northern Lights

Science for Girls – Australia

April 11, 2007

Dumb Luck is Just Plain Good

Filed under: Conor Oberst,Dntel,Jenny Lewis,Lali puna,Postal Service — AZLTRON @ 4:35 pm

Jimmy Tamborello’s second album under the Dntel banner, “Dumb Luck”, moves along a little more than “Life Is Full of Possibilities” and borrows elements from all the projects that he’s worked on since his debut. You’ll hear elements that sound like the Postal Service and you’ll hear elements that sound like his James Figurine project. Like “Dumb Luck” (1) that he wrote and played himself. He also borrows some friends old and new to contribute vocals on most of the tracks like Jenny Lewis, Conor Oberst, Lali Puna, Grizzly Bear, and various others. The strongest tracks on the album are the songs where the electronic elements bend to fit in with the mood of the song. I never thought I’d hear a keyboard sigh, or perfectly describe a hung over Sunday, but it happens on “Breakfast in Bed” (8) featuring Conor Oberst. Another similar track is the country tinged Jenny Lewis contribution “Roll On” (4) where the electronics work shockingly well within the country song structure. The track most similar to a Postal Service song is “To a Fault” (2) featuring Grizzly Beat which makes use of those familiar soundscapes, blips, beeps, and drum samples to be at once both calming and exhilarating. If the quality of Jimmy Tamborello’s music keeps improving the way it is now, when the new Postal Service album is released, I believe we will be in for quite a treat.

Buy “Dumb Luck”

Dntel Myspace

MP3 – Dumb Luck – Dntel

MP3 – To a fault (Ft. Grizzly Bear) – Dntel

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