July 28, 2009

Some Questions and Answers with Her Lips Might Shatter!

By: Aaron Z. Lee

Her Lips Might Shatter is a one woman electro DJ dance party named Alisa Nizhniy who is from Los Angeles by way of Houston, Texas. Her sound is close to what you would get if you were to allow Fischerspooner, Peaches and Goldfrapp to enter thunderdome for a massive tag team match. Each track has a processed digital crunch that is sure to populate dance floors everywhere. I had a chance to talk with the emerging artist about her origins, inspirations and favorite snack.

You were born in Kiev Ukraine but raised in Houston Texas, how and why did you and your family come to the states?

There was that minor issue of getting away from the pesky aftereffects of real socialism. So we immigrated, and eventually, my parents encouraged most of our extended family to come down to the states as well. Houston has the swankiest, cheapest real estate you could ever imagine, with infinite free parking in the comfort of a large metropolis, complete with centralized A/C everywhere. Also, a decent amount of thrift stores, artsy hide-outs, goth kids, junkies, and electro parties. The sweetest people live there, too.

Were you always interested in music?

My folks have cassette tapes of me singing the songs of Alla Pugacheva when I was two years old living in Italy. When I was five, my brother would occasionally blast trance music, drive me around, and take me to parties where they played Modern Talking and all this new dance shit that Sony was releasing at the time. It stuck with me, what can I say!

Did you find that Houston Responded Well to your electronic music?

People have gotten crazy at Pseudonecrophile shows and hung upside down from the ceiling. Houston has always embraced electronic music.

Where does the name ‘Her Lips Might Shatter’ come from?

I thought of a large, extravagant chandelier, and how cool it would be to break one. Then, I thought that a lamp breaking is pretty obvious. So the thought of lips shattering was weirder. They would have to be frozen or frozen in outer space.

What’s the most fun show you’ve played so far?

A week ago I performed a couple of songs in Denver for my aunt and uncle’s 50th anniversary!! By 11:00 PM my cousins and I were making imaginary snow angels on the patio. I was completely gone, because members of my family kept giving me shots: “Here Alisa, try this vodka; Yes, but have you tried THIS vodka?! Alisa do a shot with us!!” So that was especially fun, since I can easily get wasted off just a glass and a half of champagne.

What’s your favorite gadget or tool for making music?

Anything to synthesize the organic. I like messing with vocoders and pitch shifters and lots of layering. I wish I had something cool to talk about in this category, but I use the Logic synths and processors.

What’s the most recent awesome track you’ve listened to?

It’s Not My Problem (Thin White Duke Remix) by Sneaky Sound System. And I have to listen to Salem every night before I go to sleep. I HAVE to.

How do you feel about the auto-tune explosion that’s happened in the last year?

I swear that for every big trend, there must be subcultures of people out there who are completely bummed out that someone is exploiting their peculiarities. Like that South Park episode about the vampire kids. Auto-tune was cool before it became “mainstream,” and it’s cool now, and it will still be cool when everyone else thinks its lame again. Britney Spears- Blackout was the first mainstream album to use tasteful, prominent auto-tune. I’m not impressed with the sloppy conspicuous auto-tune technique that’s hot in hip-hop now. Otherwise, the obvious reaction to these trends is to drink perfume or do something else that can hardly ever become cool.

If you could perform a duet with anyone living or dead who would it be?

If I had to pick only one other artist and only in the realm of music, it would be Felix Da Housecat. I wouldn’t mind walking on stilts with Marilyn Manson.

After a night of DJing/Dancing/Performing, you need to recharge, What is your snack of choice and why?

Tapioca almond cream tea from the Teahouse in Houston. I’ve turned on so many people to that place. I’ve tried bubble tea in Boston and LA, and some do the trick, but they just don’t compare. If there’s midnight sushi anywhere, I certainly wouldn’t mind that either.

April 24, 2009

Afghan Raiders Remix the Faint!

Filed under: Dance, Electronic, afghan raiders, remix, the faint — AZLTRON @ 9:52 am

That’s right! Not Somali Pirates! The Afghan Raiders have taken the messy euphoric crunch of The Faint’s “Mirror Error” and streamlined it to brass, down to business tacks. It sounds a little like The Faint’s “Violent” in the way that it starts off slow and builds and builds, you get the idea. Listen below!

And The Faint is still on tour with Ladytron!

Sun, Apr 26 – Los Angeles, CA @ Henry Fonda
Wed, Apr 29 – San Francisco, CA @ Fillmore
Thus, Apr 30 – San Francisco, CA @ Fillmore
Fri, May 1 – Portland, OR @ Roseland
Sat,May 2 – Seattle, WA @ Showbox SODO
Sun, May 3 – Vancouver, BC @ Commodore
Tue, May 5 – Denver, CO @ Ogden

March 31, 2009

Logan Lynn Provides some Electronic Emo that’s just Dandy!


Logan Lynn is an artist out of that aural metropolis we call Portland, Oregon that has recently been signed to the Dandy Warhol’s “Beat the World” label. His new album “From Pillar to Post” is an emotional journey through sprawling soundscapes of sparkling pop melodies and jagged glitchy beats. As the press release on his page says; “He Puts the “Disco” back in “Discomfort”.

Even though Mr. Lynn’s music is just now coming to my attention, he has been at it a while. He has released 2 albums since 2000. The first was entitled “Glee” and was a combination of optimistic beats and electronics with heart wrenching lyrics and themes. His self-titled sophomore effort was released in 2006. Following a collaboration with Carlos Cortes of the Portland DJ collective ‘Assemble’ on the track “Feed Me to the Wolves”, the two decided to work on a full album together. This album is the aforementioned “From Pillar to Post”.

The lead single “Burning Your Glory” plods along with ethereal guitar melodies accented by synth tones that drop like pins in a silent room. Each crystalline tone has the potential to send a chill down your spine. Other tracks like the excellent “Feed Me to the Wolves” pick up the pace, but don’t expect all out dancefloor funkiness, but rather mood pieces that whirl by like streetlights on a long drive home.

There hasn’t been a release with this level of “bloody heart on sleeve” emotion tied to an electronica project since The Postal Service’s “Give Up” in 2003. Others have matched The Postal Services musicality over the years, but Logan Lynn’s lyrics and delivery drip with digitized drama and pathos.

August 21, 2008

Woven’s Designer Codes

Woven is a band from Los Angeles, CA who have used refined noise to create a stunningly beautiful album in their latest release “Designer Codes”. Layers and layers of synth and clanking percussion fade in and out over their strong rock song structures. A lot of the time they sound like some of the more progressive work of The Cure submerged in a synth haze and cross polinated with trip hop. Every time I listen I imagine someone driving through the California desert with light refecting off of their sunglasses.

Woven – Perception Whore

Woven – Fragments

Woven Myspace

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