October 11, 2009

Exclusive Interview with Jerm Reynolds from Hockey!

Hockey is a band from Portland, Oregon who have been gaining attention due to their danceable tunes and enthusiastic live performaces. Their sound is an amalgam of LCD Soundsystem’s relentless beats and self awareness with The Strokes’ effortless cool. Hockey played Thursday Oct. 15 on Late Night with Jimmy Fallon.

You guys have admitted that the name “Hockey” comes from your sense of humor moreso than any interest in the sport. Since your album is called “Mind Chaos”, do you hope to inspire chaos in people’s minds when they listen to your music?

Mind chaos is more about the way that we see the world in 2009, which is this beautifully, fractured hyper-individualized insanity we think that might be a result of the internet or technology in general. We live in a world where it’s more and more about the individual and the individual’s opinion. When you have a world like that it makes interaction between people a lot sillier and a lot crazier. So making a record for a world of people who are all standing mightily on their own unique opinion is kind of an interesting process so why not make it totally insane and then say ”Ha! Chew on that!”

You make all the artwork for Hockey’s releases, can you describe that process?

I work mostly with singer Ben Grubin. He executive produced the art work. I’m the one physically doing the artwork He works with me on the concepts. It was his idea to do the four covers. We kept doing the proofs and not being satisfied with them. He came into my room one day and just said put them all down. Then he said “Yeah that’s it! That’s “Mind Chaos”, four separate covers for insanity. The other guys put their opinions in as well, but I’m the guy who’s physically doing the cutting and the gluing and all the childish coloring with crayons and stuff like that but we all work together on it conceptually

Hockey has been doing a lot of touring at festivals in Europe and The United States and people have noticed. This has garnered you spots playing on Jools Holland, and press from Filter, Spin, NME, Q and even Marie Claire. How does it feel to see your hard work paying off?

It’s pretty fantastic, Ben and I have been playing in Hockey for almost 7 years. We’ve spent a lot of time toiling in obscurity which was fine, but to finally see it come around at this point is really great. I tell people that most of the time that we’re just so concerned with keeping everything going; getting the record out, getting the right mixing done, being a really great live band and all the other things that we do on a day to day basis, that we don’t even get a chance to sit down and be like “Whoa, things are happening for us. We’ve been touring the world for six months it’s just unreal and at the same time it’s really great, if I stop to think about it.

What is your favorite thing to do in downtime when touring?

I like to go out with my sketchbook and just draw things that I see and write captions for them. It’s my way of internalizing where I am. Whether it be someplace weird in France, Germany, or Belgium. It can be restful when you’re so far away from your culture and what’s normal to you. So I like to go out and sit someplace by myself and just color. Just like a little kid with a box of crayons!­­

With your videos, do you guys come up with all the ideas or do you collaborate with a director?

We come up with some kind of an idea. It’s an interesting process for the videos because none of us are movie makers so we’re kind of delving into other people’s artwork which is interesting. You’re kind of giving up your creative control a little bit because we’re not in the editing room. So we’re not putting proofs together or scripts. We have basic ideas but it’s a totally different way of thinking artistically than performing or songwriting. We see what different directors have done, and say, “I really like this person’s style the most” then we email them and have a conversation. We say “Here’s what we’re thinking” and then bounce ideas back and forth and eventually you get an interesting hybrid of your vision and their vision.

You have done a lot of touring with bands like Friendly Fires and Passion Pit. Do you have any outrageous stories of hanging out with bands that you’re touring with?

We got trapped in Seattle, Washington in a big blizzard last winter with the band The Virgins. It was the last night of our tour and we had all just managed to reach Seattle just as 2 feet of snow fell on the ground. We were all hanging out together after the show because not that many people made it out to the show due to the snow. So after the show we all trudged out into the roads where cars were skidding everywhere. We had this hilarious adventure yelling at cars and laying in the street and just appreciating the anarchy of Seattle being totally shut down by a huge blizzard.

You’re doing a tour with Portugal the Man, who are also a band from Portland, Oregon. Had you met them before the tour?

Our guitar player and drummers’ old band played a show with them four or five years ago in Spokane, Washington. I’ve never met them I’ve heard their music. I really like it; I’m really looking forward to meeting them on Thursday when our tour starts in Wisconsin of all places. I dig their Bob Dylan band style, that 60’s organ psychedelic rock sound.

You guys are playing your US network debut on The Jimmy Fallon Show Oct. 15th; do you have any superstitious rituals that you perform before important gigs?

I’m going to wear my lucky tour shoes. My dancing shoes if you will. I’ve had these shoes since our first real tour last December and the bottoms are all out and I had to duct tape them together. Also I’m going to try to keep a lid on it for TV, try to not do anything crazy, I tend to get a little excitable and if I feel like a lot of people are looking at me I might go crazy. I’ll have to be cool. Wear the tour shoes and play the song.

The songs “Too Fake” and “3AM Spanish” have a very drum machine and bass sound. I know that when Hockey started out you had that kind of set up. Did those songs begin in that era of your band or did they develop later?

Those songs developed later, but that original core sound is still with us. It’s about drum beats and bass lines and everything else musically and melodically is built around those very basic components because we did play like that for over four years, longer than we’ve had a four piece band. Most of the songs on the record were written after putting the band together, with a couple of exceptions. “Four Holy Photos” is a folk song. It’s the oldest song on record. Ben and I wrote that when we were still at school together in 2004. It’s an oldie but goodie that hung on and made it onto the record.

As much as you guys do that bass and beat centered music, there’s a classic rock-like component to your sound. What classic bands do you draw influences from?

We have a pretty heavy Beatles influence, as well as Bruce Springsteen, Tom Petty Neil Young, Crosby Stills and Nash. All that really classic rock and roll found its way into our sound somehow even though a lot of our influences are more modern.

Who are your more modern influences?

I really like MIA quite a bit. I like The Virgins, Passion Pit, Ladyhawke, Yacht, and Little Comets. There’s so much great music right now. Sometimes I think about if it was 1999. Everyone would be all bummed out listening to Limp Bizkit and Marilyn Manson. What a drag that was! 2009 is so much better. It’s so much cooler, so much more expressive, so much more interesting and so much more positive.

Hockey will be performing Saturday October 17th at the Westcott Theatre in Syracuse.

September 26, 2009

AZLTRON 500th Post Spectacular! Part 2!

It’s been a long time since the beginning of this blog, which is now well into it’s third year. I just realized not too long ago that the 500th post was coming up fast, and wouldn’t you know it, here it is. In a celebratory fashion I thought I would write about ten of the albums that I’ve listened to over the years that have changed the way I listen to music. I have three criteria for this list: These albums must be albums that came out during my lifetime (that means no collections or retrospectives), the albums must be albums that I discovered myself through word of mouth or research and the albums must be albums that I listened to almost religiously. Here is the second half of the list in chronological order:

6. The Faint – Wet From Birth (2004)

I had already heard of and loved The Faint from their previous releases Blank Wave Arcade and Danse Macabre for their ingenious integration of hard hitting electro beats with indie rock and punk flourishes. But Wet From Birth is something special, even if the band feels that some parts of it are a bit overcooked.

I can still remember my first listen of the album. I had travelled to the city of Rochester in the fall with some newfound college friends and somewhere along the tour we ended up at a record store. I picked up The Faint’s Wet From Birth and The Notwist’s Neon Golden. Both albums were excellent, but from the opening of the first track on the new album, “Desperate Guys”, the glorious strings stabbed in adding an aura of class and sophistication to a track that is basically about hooking up at a party. The irony is beautiful. Next is the most aggressive use of ambient electronics I have ever heard, “How Could I Forget”, followed by one of the album centerpieces “I Disappear” whose distorted bassline, swirling keys and guitar funk make it one of my favorite tracks of all time. I don’t think I’ve gone more than a few weeks without listening to this song. Since 2004.

The next track, “Southern Belles in London Sing” is the closest thing The Faint will ever release to a straight up love ballad. From the muted trumpet intro to the classy violin I don’t think there could ever be a more beautifully macabre dance track. Which is ironic because the very next track, “Erection”, deals with probably the raunchiest subject matter The Faint have to offer, although they still do it with some class. The Faint rounds out the album with all strong tracks, the fuzzed out electro jam “Paranoiattack” that they played on Jimmy Kimmel, The reggae influenced “Phone Call”, the relentless blood pumping “Dropkick the Punks”, “Symptom Finger”, which is perfect for the current health care controversy, and arguably the most epic song The Faint have ever released; “Birth”. I remember I loved (and still love) everything about this album, from the bright colors on the album cover to the innovations in sound (A fork in the speaker? Brilliant!).

7. The Walkmen – Bows and Arrows (2004)

I first heard The Walkmen watching David Letterman while waiting for my laundry to dry. They played “The Rat” from Bows and Arrows. They played with such intensity and originality that I had to check them out. Soon after I had their album. I admit that I didn’t understand it at first. There was a lot of distorted droning and simple pop structures. It took a lot of listening right into the Christmas season before I had an epiphany. All of the songs on this disc are like taking something that has been shattered, destoyed, obliterated, then sewing it back together and making something timeless and beautiful out of it. Like taking Bing Crosby and putting him in the radiator with the woman with distended cheeks from Eraserhead so that they could sing about how their childhoods really were.

The song “The Rat” is obviously the big draw on the album because of it’s dramatic guitar work and drumming, and listening to it now it’s extremely apparent why it hooked me so much. Hamilton Leithauser wails about nerves and favors and going out alone and all those other dramatic things and the result is something that is truly exhilarating. The alternationg between these brazen rock numbers and delicate piano plunking ballads makes “Bows & Arrows” truly something special.

8. LCD Soundsystem – LCD Soundsystem (2005)

I became aware of LCD Soundsystem after learning about the band The Rapture and the DFA production team of James Murphey and Tim Goldsworthy which had produced their single “House of Jealous Lovers” and their debut LP “Echoes”. That album was a lesson in the diversity of a sound that became to be called “Dance Punk”. A genre that the DFA label (Owned By Murphey and Goldsworthy) continues to specialize in.

LCD Soundsystem is the pet project of “Dance Punk” producer James Murphey. From the opening blast of “Daft Punk is playing at My House” off of LCD Soundsystem’s self titled debut LP it’s clear that the album is a lesson in raw repetition. The album also showed me that an album could be very simple at times and still be good and not annoying, as long as there was a heaping helping of wit involved in the songwriting process. It is because of this that James Murphey also proved to be a fascinating front man. At the time of the release of the debut LP Murphey was in his late 20′s, slightly overweight and not the best singer in the world by far, but he made it work. The secret ingredient to his contagious dance-punk stew is his completely self aware lyrics. For example in his song “Movement” he sings that “A fat guy, in a T-shirt, is doing all the singing!” He is clearly talking about himself, and that kind of humorous observation in dance music didn’t exist prior to his debut album. You take that and combine it with all kinds of old school recording studio wizardry and you’ve got a timeless treat. If you doubt it, might I suggest the subwoofer workout “Disco Infiltrator”.

9. Secret Machines – Ten Silver Drops (2006)

I first heard of The Secret Machines my freshman year of college when they played a show literally right next to my campus. Unfortunately I was ignorant to their greatness and missed the show. Which to compound insult to injury was also a free show. I made my way over to my school store however and picked up a copy of their debut album “Now Here is Nowhere” which I proceeded to put in heavy rotation in my dorm room. I particularly liked the tracks “Now Here is Nowhere”, “Lights On” and “The Road Leads Where it’s Led” (In part thanks to it’s stunning video). Although I felt at times that the album had become a little overblown, like on “First Wave Intact” and “Now Here is Nowhere” due to their repetitive nature and long running time.

However on their second album “Ten Silver Drops” the Secret Machines had learned how to let a song unfurl itself with a long running time but also kept it compelling. I had also learned that when they come to town, I should get tickets (I did manage to see them in Syracuse). Some of the tracks on “Ten Silver Drops” that are really long but don’t seem it due to excellent songwriting were “Alone Jealous and Stoned”, “I Hate Pretending”, “I Want to know if it’s still possible”, “Faded Lines” and the album’s lead single “Lightening Blue Eyes”. All of these songs envelop you in psychedelic reverb and thump along in perfect rhythm that the lyrics wrap around like a sushi roll. Add into that the cool concepts of some of the songs, like the aforementioned “Alone, Jealous and Stoned” which is about waiting for a girl to call who never does. Or the song “I Hate Pretending” which is about robbing a bank with a girl with bright orange hair. The extra space in each song lets your imagination create the scene for all of these songs. Plus they are pretty rockin’. The Secret Machines recently lost their original Guitarist and he went on to found The School of Seven Bells, so The Secret Machines have had a bit of an identity crisis on their most recent album with it being so hard and dissonant, but I think they’ll continue on and do great work.

10. Thieves Like Us – Play Music (2008)
I first heard of Thieves Like Us through the excellent blog Big Stereo. I saw their video for “Drugs in My Body” and saw that they described the group as influenced by both Daft Punk and New Order. Which immediately grabbed my attention. The track “Drugs in my body” was so simple, so repetitive, but there was something about it that was so fresh. Whether it was the almost spoken word vocals or the clever samples that the band collected. Either way I had to hear more. I began searching the internet for any remix or b-side that had been done by Thieves Like Us. I found a few things, but I had to wait for what felt like a year before they released their “Your Heart Feels” EP which was followed shortly after by their full length album “Play Music”.
“Play Music” was not purely a party album. Granted there were lots of great dance songs, but each track had a different emotion embedded in it. Some of the songs are angry, some are sad, some are menacing but all of them are compelling. Thieves Like Us took inspiration from artists such as Dr. Dre, David Bowie, and obviously New Order (Their name comes from a New Orde song) to create music with a minimalist thump and intellectual bite. The vintage synthesizers echo and modulate subtly all over the place as Andy articulates his delicate poetry in a way that is far less embarassing than some of those old lyrics that Bernard Sumner of New Order came up with way back when. One very bright spot on the album in contrast with all the moody retro electronica is the quasi-rap “Miss You” which makes reference to David Bowie and his ex wife Angela over a funky bass and those ever addictive moody synths. The whole construction of their songs is so authentic. Unlike bands that take New Order and Daft Punk influences and twist them into some kind of bizarre hyrid, Thieves Like Us brings in the influence straight up, and somehow in that they’ve created something totally fresh. Their music is very electronic, but it feels very organic. Their streak of compelling releases is continuing as they released a new EP over teh summer called “Really Like to See You Again” which featured tracks with the Blue Monday (New Order song) influence on high. Thieves Like Us are surely in store for great things in the future if they stay on their current trajectory.

June 16, 2009

The Main Drag Cover LCD Soundsystem!

The Main Drag are an indie/electro/pop band out of Boston Massachusetts. Like Passion Pit, another Massachusetts band, these guys have an ear for a good pop song, and also like Passion Pit they throw everything and the kitchen sink into their mixes. Everything from strings and glitches to horns makes it’s way into their songs. The Main Drags overall sound is a bit more of a traditional rock sound that only leans on synths occasionally. The main heft of their songs is lifted by their nimble guitar work. They’ve gone on to be salon.com’s #1 unsigned artist and have a song featured in a Target commercial.

The band has also done an excellent cover of LCD Soundsystem’s ‘All My Friends’. I know what you’re thinking: “Oh great, another ‘All My Friends’ cover, whoop dee doo.” Well imagine the Arcade Fire covering the song over skittering dance beats with Beirut on vocals and you’re getting into the ballpark of what it sounds like.

The Main Drag – All My Friends (LCD Soundsystem Cover)

Also, if you’re interested, here are some tour dates:

June 20- Allston, MA – The Great Scott
June 22- Chicago, ILSchubas
June 23- Minneapolis, MN -Fine Line Music Cafe
June 24- Winnipeg, MB – The Lo Pub
June 26- Lethbridge, AB – Henotic Lounge
June 27- Calgary, AB – Sled Island Festival
June 29- Milwaukee, WI – TBA
July 1- Philadelphia, PA – The M-Room

January 11, 2009

New Jersey’s Thing One is Movin’ on Up!

Thing One is a dance-rock quartet from from Glen Ridge, New Jersey that create bouncy, catchy songs with just a touch of electronic flourishes. At times their music takes on an old school punk/dub sound and other times it takes on an LCD Soundsystem-like sound with percolating beats and spare synths. One thing that makes them stand out is that they create a nice cushion of sound and melody in each of their songs so it’s not just death by dance beats, but beat therapy. If that’s not enough, the band has familial ties to Ra Ra Riot with Wesley Miles’ brother Spencer playing in the band. Is Thing One one to watch? For sure.

November 24, 2008

Heads We Dance Release New Single "Human Touch"!

The Leeds, UK synth pop group Heads We Dance has finally released their new single “Human Touch”, available now in limited 12″ and as a free download. The single roars to life with sirens in lending itself to the imagery of a “Metropolis” like retro-futurist city. Vocals are run through a razor sharp vocoder and diced to perfection in between hyper aggressive snares and mountains of fuzz bass, pausing only to tease you with a Daft Punk-like interlude before diving back into the mayhem. The B-side “You Are Never Alone With Model 21″ spotlights the velvety smooth vocals of Pierre as heavily phased riffs whiz by like hyper futuristic taxi cabs. If you’re a fan of the Human League, Daft Punk, Justice or just plain quality dance music “Human Touch” is for you.

Heads We Dance – The Human Touch

Heads We Dance – You Are Never Alone With Model 21


Heads We Dance – Love Version 15

Heads We Dance Myspace

September 25, 2008

Desmond & The Tutus: Dance Punk from South Africa


It’s bands like Desmond and the Tutus that make me glad that I run a music blog. Without this blog I never would have found out about them. Nor would I be as educated on famous South African clerics. The South African quartet takes their name from the Nobel Peace Prize, Albert Schweitzer Humanitarian Award, and Ghandi Peace Prize winning Cleric who became the first black Anglican Archbishop of Cape Town, South Africa. He was a staunch opponent of apartheid. Fun cultural references like that in band titles are always welcome.

On to the music though, Desmond and the Tutus’ sound is something like The Modern Lovers and Art Brut playing some African style bass. If you like the poly-rhythms of Vampire Weekend, chances are you’ll enjoy this band as well. I found myself listening through each song on their album “Tuckshop” and thinking to myself “They’ve got my number! but how?”, because there is a song on here about loving synthesizers and wearing New Order t-shirts, “German Modern”, and a song about competitive swimming, “Saggy Bottom Speedo Swimmer”, which both speak to me because I am both a connoisseur of synthesizers and a competitive swimmer. It’s not just that they’re speaking to me though, each song has such vitality and personality that it’s sure to win you over. Give them a try. They’re my new favorite South African band… of course before I heard them I didn’t know any South African bands… but that doesn’t make them any less awesome. For real.

Desmond and the Tutus – Peter

Desmond and the Tutus – German Modern

Desmond and the Tutus Myspace

May 13, 2008

Wesley the Robot

Here it is, the final installment of Wesley the Robot for this season. It’s been a good run this season and he might pop up somewhere this summer, who knows! Again I apologize for not posting a whole lot, finals and papers routinely kick my ass. After this Thursday I promise to start posting regularly again, I have so many bands to review. This summer is going to be awesome. Like usual here are some songs that I’ve been enjoying.

Flight of the Conchords – Inner City Pressure

The Notwist – Gloomy Planets

Nine Inch Nails – Discipline

Sportsday Megaphone – Young Lust

Black Moth Super Rainbow – Rollerdisco

Jackson Jones – I Feel Good, Put Your Pants On


Mouse on Mars – Mine is In Yours

Bloc Party – Flux

Dub Pistols – Rapture (Blondie Cover)

A Faulty Chromosome – Bad Thing

Quitzow – Sponsor (It didn’t mean a thing)

March 15, 2008

STACK ATTACK

Filed under: Daft Punk,Feist,LCD Soundsystem,Spoon,Stack Attack,the faint — AZLTRON @ 12:31 pm

I haven’t posted a full radio show in a little while, I figure most people don’t listen to them, so I’ve just been posting the tracks, but I’m bringing it back in the hopes that some people are going to listen. The tracks posted below are the song list. Give my show a listen, and if you like it/hate it/ find it charming/find it annoying let me know. Give me some feedback for gosh sake!

Stack Attack Radio Show March 13th 2008 (88.9 WNYO)

March 14, 2008

Wesley the Robot

Wesley is one suave automaton. Here are some songs that I’ve been enjoying lately.

LCD Soundsystem – Big Ideas

The Faint – I Disappear

The Raveonettes – Hallucinations

Feist – I Feel It All (Britt from Spoon Remix)

The Secret Machines – Lights On

Dandy Warhols – Horse Pills

Hot Chip – Shake a Fist

The Flaming Lips – Pilot Can at the Queer of God

Chairs in the Arno – I Never Loved You Anyways

The Somnambulants – Burning Daylight

(We Are) Performance – Live a Little

The Strokes – The Way it is

Spoon – Bring it on home to me (Sam Cooke Cover)

Iggy Pop – The Passenger

Interpol – PDA

The Wombats – Kill the Director (CSS Remix)

Talking Heads – Once in a Lifetime

Prince – Black Sweat

Grafton Primary – I Can Cook

Does it offend you, yeah? – Let’s Make Out (Extended Mix)

February 29, 2008

Wesley The Robot

Wesley is actively pursuing a human-like social life. If only we could all be so lucky. Here are some songs that I have been enjoying as of late.

Alphabeat – Fascination (Thanks Bigstereo!)

Arcade Fire – Black Mirror (team9 remix)

Feist – I Feel It All (Britt from Spoon Remix)

Mobius Band – Digital Love (Daft Punk Cover)

M.I.A. – Paper Planes (DFA Remix)

Jens Lekman – I’m Leaving You Because I Don’t Love You (Spoolwork Remix)

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