December 17, 2008

David Byrne at the Landmark Theatre! A Review!


At the end of November I was able to cross off an item off of my “Before I Die To Do List”. I went to see David Byrne perform live at the landmark theatre in Syracuse. After a startlingly short drive (Less than an hour!) I arrived and with the help of an elderly usher found my spot. Always up to date on the current topics in the areas he tours, David Byrne opened with saying he hoped there were no shopping related deaths in the Syracuse area.

Then Byrne and his first class band and three dancers all adorned in white clothing began the show. Starting with the lead single off of the new album he made with longtime friend Brian Eno “Everything that Happens Will Happen Today”; “Strange Overtones”, then moved onto another cut off of the new album “My Big Nurse”. Following this David Byrne played a satisfying smattering of songs from the Talking Heads albums that Eno produced back in the late 70′s and early 80′s. Including “Air” and “I Zimbra”.

Byrne also played “Help Me Somebody”, a track from the album that he and Eno collaborated on in 1981 (27 years ago!) from their singular album “My Life in the Bush of Ghosts.” He even paused for a moment to remark that the “Found Sound Vocals” featured in the album would be called “Samples” today. During the song the two female dancers and one male dancer frenetically bounded across the stage and made various poses, looking springing alarm clocks or penguins carrying around eggs in between their legs.

As if waiting for the perfect time to strike, David Byrne unleashed a veritable A-Bomb of dance/funk elation on the crowd with a rousing rendition of “Houses in Motion” from the Talking Heads album “Remain in Light”. The song differing from the introspective groove on the album seemed much more like Stevie Wonder’s “Superstition” i.e. a full on funk fest. There was not a soul in the place not getting down. When the song ended there was so much applause I was worried we were going to standing ovation ourselves out of a concert.

Luckily, David kept on trucking playing even more highlights from many Talking Heads albums, including the hit “Once in a Lifetime”, “The great Curve”, “Life During Wartime”, and “Heaven”.

All throughout the dancers seemed like kids during bring your kids to work day, as if Byrne said to them: “You can be on stage, but you have to do something really cool behind me!” Their euphoric expressions made them look like ridiculous puppets or kindergarteners let loose on stage. You couldn’t help but smile for looking at them.

One cool move the dancers had in their arsenal was to lay the backup singers on the ground and turn the mic stands upside down. Their inclusive dancing found all kinds of ways to incorporate the backup singers and sometimes even David himself. At one point one of the dancers even hurdled over Byrne’s head while he played guitar. The stage was quite literally their playground. They later even brought guitars out to mimic Byrne and dance around him, forming a line of faux-guitaring playing which Byrne was all too happy to hop around with.

The crowd that was present at the David Byrne show was profoundly interesting. There were the uppity indie kids (like me) along with all kinds of other people. From kids who were dragged along with their parents, to parents reliving thier 80′s heyday, to the aged college doof. Yes, I have seen the future of doof-dom and it is annoying. A man with a hat on and a beer in each hand, dancing in the isle next to a gimli look-alike hippie that thinks standing and dancing in his seat is some kind of grand way of sticking it to the man and testifying to the music…when it’s just making the people in the row behind you mad because they paid just as much to be there as you did.

After much cheering and stomping and all the other things that crowds do at good shows, Byrne and company returned to the stage. They encored three times. first with a blazing version of “Burning Down the House”. Then they played the Talking heads breakthrough hit “Take Me to the River.” Their final encore was a sublime rendition of “Everything That Happens will Happen Today”, the title track off of the new album. That song could quite possibly be the best song put out this year. I couldn’t think of a better end to such a perfect night.

Talking Heads – Houses in Motion

David Byrne & Brian Eno – Help Me Somebody

Davidbyrne.com

December 2, 2008

stellastarr* Unveil New Track "Numbers" on Myspace!

NYC based art-rock group stellastarr* have released a new song called “Numbers” via their Myspace from their forthcoming album. The track rocks with all the rough edges and innovative female backing vocals we’ve come to expect from the haunting and harmonious quartet. The band have also recently sold out their 5 night residency at NYC’s Piano’s.

stellastarr* Myspace

stellastarr* – Stay Entertained

stellastarr* – Somewhere Across Forever

Strange Glue Interview With Shawn Christensen

October 26, 2008

The Banshee’s "Your Nice Habits" is akin to a Grad Student with Intravenous Caffiene. In a good way.


The Banshee are an electro/punk band from Genova Italy. Their post punk stylings call to mind the likes of Gary Numan, XTC, wire, Talking Heads and many others. Their music is rife with angled jagged riffs and huge grooves with gooey bass filling.

Their debut album Your Nice Habits features production from former Clor member Luke Smith, who has also produced such bands as Shit Disco, frYars,
Theoretical Girl and he’s now working on the new Depeche Mode album. His influence can be felt on the twitchy rhythms and loud quiet tensions that can be found on many of the songs.

For all of their intelligence and desire to be a unique quirky bunch of skinny white boys from Europe, their music doesn’t always sound a lot different. They have a lot of nearly impossibly complicated all over the place plunked melodies and rhythms similar to that of Clor or Shit Disco that are incredibly catchy, but sometimes it’s a bit much. While they don’t bring much new to the table in the terms of their format as an indie electro punk band, they execute their ideas flawlessly, and they show incredible potential when they poke some air holes in their grooves on closing tracks “People Around” and “Colder”.

At it’s core, Your Nice Habits, is like a college student at 4am with a quart of caffeine circulating his veins and ADD thoughts flashing in his mind of partying, papers, and prudent action in our day and times.

The Banshee – Cut Me Clear

The Banshee – Colder

The Banshee Myspace

September 30, 2008

Everything That Happens Will Happens Today

Filed under: Brian Eno,Coldplay,David Byrne,roxy music,Talking Heads,U2 — AZLTRON @ 7:42 pm

This is really a momentous album. David Byrne and Brian Eno working together again for the first time in over 20 years. They of course worked on the famous “My Life in the Bush of Ghosts” album, and a handful of Talking Heads albums, most notably the classic “Remain in Light”. This album was a great surprise to me as I enjoy the work of both men immensely. Brian Eno really revolutionized production and continues to do so in his solo work and with popular bands and musicians. Artists that Brian Eno has worked with over the years include Roxy Music, David Bowie, U2 and most recently Coldplay. David Byrne is of course an intellectual punk/funk visionary, whose later solo works, while satisfying, lacked a certain immediacy and relevance. It was nice to see him mellow out and his vocals are still as good as ever, but he needed to be pushed out of his comfort zone a bit.

That is exactly what has happened on “Everything that Will Happen will Happen Today”, Brian Eno once again carves a careful soundscape of melodies, beats, and whimsical genius, with the songwriting genius of David Byrne, present at a level we haven’t seen in over ten years. Important themes like violence in society, terrorism and domestic issues skirt around an album that beamingly is two musicians reveling in their craft. There are mostly mid or downtempo songs here, but these guys are seasoned enough to make every song an aural journey worth taking, whether it feels like a sweeping retrospective, a nice sit on the back porch in a rocking chair, or a casual visit to a night club, you can’t help but say “They’ve still got it!”

David Byrne & Brian Eno Official Site

David Byrne & Brian Eno – I Feel My Stuff

David Byrne & Brian Eno – Strange Overtones

August 15, 2008

The New Up

San Francisco based rock group The New Up have crafted an EP entitled Broken Machine that calls on psychadelic influences as well as garage rock influences. They sound something like if you took Midnight Movies, Metric, and The Stills, put them in a blender with some vanilla yogurt, a flute and set it to high. Thier rock is smooth linear affair with some added guitar crunch once in a while, like a female fronted late 80′s era Echo & The Bunnymen. Pretty neat.

The New Up – Ginger Tea


The New Up – Top of the Stairs

The New Up Myspace

March 14, 2008

Wesley the Robot

Wesley is one suave automaton. Here are some songs that I’ve been enjoying lately.

LCD Soundsystem – Big Ideas

The Faint – I Disappear

The Raveonettes – Hallucinations

Feist – I Feel It All (Britt from Spoon Remix)

The Secret Machines – Lights On

Dandy Warhols – Horse Pills

Hot Chip – Shake a Fist

The Flaming Lips – Pilot Can at the Queer of God

Chairs in the Arno – I Never Loved You Anyways

The Somnambulants – Burning Daylight

(We Are) Performance – Live a Little

The Strokes – The Way it is

Spoon – Bring it on home to me (Sam Cooke Cover)

Iggy Pop – The Passenger

Interpol – PDA

The Wombats – Kill the Director (CSS Remix)

Talking Heads – Once in a Lifetime

Prince – Black Sweat

Grafton Primary – I Can Cook

Does it offend you, yeah? – Let’s Make Out (Extended Mix)

August 27, 2007

Vampire Weekend, Yacht, Dirty Projectors @ The Bug Jar


So I made a little expedition last night into the wilderness of Rochester to see Yacht and company. This trip stemmed out of when I was at the Bug Jar last time and I saw a little flier that said “Yacht” on it. Me, being the retainer of not completely useless but very minimally applicable musical knowledge, immediately said “Yacht! Oh man! He toured with LCD Soundsystem and made a sweet song that I put on my summer mix CD titled “Summer Song!” So I made plans to return the day of that show.

After a trip to the mall and taking a chance on Indian food that was actually really good, myself and my small entourage made our way the the hole in the wall bar that the bug jar is. The first band to play was Vampire Weekend. Vampire Weekend reminded me of a combo of the Police and early Talking Heads with their island-y rhythms and whimsical lyrics. They have that kind of lo-fi retro sound akin to the Walkmen or Cold War Kids but not as heavy and definitely more accessible. If Vampire Weekend could somehow transport you via their sound you would almost be on the beach but you would really end up at a colorful boat launch. One of the things that I noticed about their live performance was that it was really polished, even for a tiny place like Rochester. The sound levels were all at an acceptable level and there was a classy little reverb effect on the vocals. They alone were well worth the drive.

After a brief intermission Yacht took the stage manned only with his lap-top and his wild inclinations. For starting off with such a huge handicap of not having a band and singing along to tracks Yacht really kicked ass. I mean, his manic dancing alone was enough to keep the attention of the crowd, that guy does some intense cardio. The crowd ate it up too, even when he was answering questions everyone seemed really pleased, except for one fat drunk bitch who told him to “Play another fucking song already!” The rest of the crowd booed her, but Yacht even turned that around and said “There’s love in this room for you”. Although I wasn’t so sure. Yacht’s crowd interactions were really fun, except for when he would talk to this one guy way up front. Not for any other reason than this kid was tripping balls, I don’t know what was up with him but he was really fucked up. If it had been one standard deviation less messed up it would have been funny but it just wasn’t. Anyway, Yacht is an amazing producer and I would love to see him with a live band someday.

The Dirty Projectors came on shortly after that but their sound was so ridiculously loud that I peaced out after a few songs. I mean I’ve never been overwhelmed and sonically subdued by female vocal harmonies before. I liked their songs on their myspace but when they were making my ears bleed live I wasn’t so enamored. But all in all 2 out of 3 for $10 isn’t bad at all.

MP3 – The Kids Don’t Stand a Chance – Vampire Weekend

MP3 – Cape Cod Kwassa Kwassa – Vampire Weekend

June 8, 2007

Vivek Won’t Envy

Filed under: David Byrne,Talking Heads,Tegan and Sara,Vivek Shraya — AZLTRON @ 6:29 pm

Vivek Shraya is an up and coming independent artist from Toronto, he employs electronic blips and beeps and the occasional guitar stab to create inventive ultra-clean, radio friendly (under three minute) pop songs. Shraya’s vocal capabilities could easily garner him radio attention if only the moons would align; at times his almost ethnic pop vocals call to mind what David Byrne would have sounded like if he had natural singing talent, and while we’re talking ‘Heads’ the whole album has that light poppy feeling that wouldn’t be out of place on the last few Talking Heads albums. Could a cover of “And She Was” be in the pipeline? Anyway, Shraya compiles several seemingly disparate styles into a unique cohesive whole. it’s interesting that he’s backed up his catchy polished pop with Gary Numan-lite style synthesizers. I don’t know what else he would use to flesh out his songs but the electronics certainly bring in a unique crossover element. Pure pop but with an electronic edge; a good example would be “Chemistry” (4), which sounds like the Donna Summer classic “I Feel Love” crossed with Nine Inch Nails’ “Closer”. There is also the woozy Bowie-esque “Fevered”(3) that sounds like Suffragette City with keyboards. Other highlights of the album include the punchy “Your Name”(2) which features guest vocals from Sarah Quin of Tegan and Sarah Fame, Her rhythmic chiming adds an interesting flavor and texture to the groove. The catchiest cut on the album in my opinion would have to be the album’s namesake track “If We’re Not Talking” (8), which has a similar psuedo-musak feel that made Royksopp’s “Remind Me” with Erlend Oye so memorable. Overall, the brief format of Mr. Shraya’s songs and their cleanliness leaves you wanting more. Like a light but enjoyable breakfast.

Vivek Shraya Myspace

MP3 – Negative One – Vivek Shraya

MP3 – If We’re Not Talking – Vivek Shraya

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