October 11, 2009

Exclusive Interview with Jerm Reynolds from Hockey!

Hockey is a band from Portland, Oregon who have been gaining attention due to their danceable tunes and enthusiastic live performaces. Their sound is an amalgam of LCD Soundsystem’s relentless beats and self awareness with The Strokes’ effortless cool. Hockey played Thursday Oct. 15 on Late Night with Jimmy Fallon.

You guys have admitted that the name “Hockey” comes from your sense of humor moreso than any interest in the sport. Since your album is called “Mind Chaos”, do you hope to inspire chaos in people’s minds when they listen to your music?

Mind chaos is more about the way that we see the world in 2009, which is this beautifully, fractured hyper-individualized insanity we think that might be a result of the internet or technology in general. We live in a world where it’s more and more about the individual and the individual’s opinion. When you have a world like that it makes interaction between people a lot sillier and a lot crazier. So making a record for a world of people who are all standing mightily on their own unique opinion is kind of an interesting process so why not make it totally insane and then say ”Ha! Chew on that!”

You make all the artwork for Hockey’s releases, can you describe that process?

I work mostly with singer Ben Grubin. He executive produced the art work. I’m the one physically doing the artwork He works with me on the concepts. It was his idea to do the four covers. We kept doing the proofs and not being satisfied with them. He came into my room one day and just said put them all down. Then he said “Yeah that’s it! That’s “Mind Chaos”, four separate covers for insanity. The other guys put their opinions in as well, but I’m the guy who’s physically doing the cutting and the gluing and all the childish coloring with crayons and stuff like that but we all work together on it conceptually

Hockey has been doing a lot of touring at festivals in Europe and The United States and people have noticed. This has garnered you spots playing on Jools Holland, and press from Filter, Spin, NME, Q and even Marie Claire. How does it feel to see your hard work paying off?

It’s pretty fantastic, Ben and I have been playing in Hockey for almost 7 years. We’ve spent a lot of time toiling in obscurity which was fine, but to finally see it come around at this point is really great. I tell people that most of the time that we’re just so concerned with keeping everything going; getting the record out, getting the right mixing done, being a really great live band and all the other things that we do on a day to day basis, that we don’t even get a chance to sit down and be like “Whoa, things are happening for us. We’ve been touring the world for six months it’s just unreal and at the same time it’s really great, if I stop to think about it.

What is your favorite thing to do in downtime when touring?

I like to go out with my sketchbook and just draw things that I see and write captions for them. It’s my way of internalizing where I am. Whether it be someplace weird in France, Germany, or Belgium. It can be restful when you’re so far away from your culture and what’s normal to you. So I like to go out and sit someplace by myself and just color. Just like a little kid with a box of crayons!­­

With your videos, do you guys come up with all the ideas or do you collaborate with a director?

We come up with some kind of an idea. It’s an interesting process for the videos because none of us are movie makers so we’re kind of delving into other people’s artwork which is interesting. You’re kind of giving up your creative control a little bit because we’re not in the editing room. So we’re not putting proofs together or scripts. We have basic ideas but it’s a totally different way of thinking artistically than performing or songwriting. We see what different directors have done, and say, “I really like this person’s style the most” then we email them and have a conversation. We say “Here’s what we’re thinking” and then bounce ideas back and forth and eventually you get an interesting hybrid of your vision and their vision.

You have done a lot of touring with bands like Friendly Fires and Passion Pit. Do you have any outrageous stories of hanging out with bands that you’re touring with?

We got trapped in Seattle, Washington in a big blizzard last winter with the band The Virgins. It was the last night of our tour and we had all just managed to reach Seattle just as 2 feet of snow fell on the ground. We were all hanging out together after the show because not that many people made it out to the show due to the snow. So after the show we all trudged out into the roads where cars were skidding everywhere. We had this hilarious adventure yelling at cars and laying in the street and just appreciating the anarchy of Seattle being totally shut down by a huge blizzard.

You’re doing a tour with Portugal the Man, who are also a band from Portland, Oregon. Had you met them before the tour?

Our guitar player and drummers’ old band played a show with them four or five years ago in Spokane, Washington. I’ve never met them I’ve heard their music. I really like it; I’m really looking forward to meeting them on Thursday when our tour starts in Wisconsin of all places. I dig their Bob Dylan band style, that 60’s organ psychedelic rock sound.

You guys are playing your US network debut on The Jimmy Fallon Show Oct. 15th; do you have any superstitious rituals that you perform before important gigs?

I’m going to wear my lucky tour shoes. My dancing shoes if you will. I’ve had these shoes since our first real tour last December and the bottoms are all out and I had to duct tape them together. Also I’m going to try to keep a lid on it for TV, try to not do anything crazy, I tend to get a little excitable and if I feel like a lot of people are looking at me I might go crazy. I’ll have to be cool. Wear the tour shoes and play the song.

The songs “Too Fake” and “3AM Spanish” have a very drum machine and bass sound. I know that when Hockey started out you had that kind of set up. Did those songs begin in that era of your band or did they develop later?

Those songs developed later, but that original core sound is still with us. It’s about drum beats and bass lines and everything else musically and melodically is built around those very basic components because we did play like that for over four years, longer than we’ve had a four piece band. Most of the songs on the record were written after putting the band together, with a couple of exceptions. “Four Holy Photos” is a folk song. It’s the oldest song on record. Ben and I wrote that when we were still at school together in 2004. It’s an oldie but goodie that hung on and made it onto the record.

As much as you guys do that bass and beat centered music, there’s a classic rock-like component to your sound. What classic bands do you draw influences from?

We have a pretty heavy Beatles influence, as well as Bruce Springsteen, Tom Petty Neil Young, Crosby Stills and Nash. All that really classic rock and roll found its way into our sound somehow even though a lot of our influences are more modern.

Who are your more modern influences?

I really like MIA quite a bit. I like The Virgins, Passion Pit, Ladyhawke, Yacht, and Little Comets. There’s so much great music right now. Sometimes I think about if it was 1999. Everyone would be all bummed out listening to Limp Bizkit and Marilyn Manson. What a drag that was! 2009 is so much better. It’s so much cooler, so much more expressive, so much more interesting and so much more positive.

Hockey will be performing Saturday October 17th at the Westcott Theatre in Syracuse.

March 30, 2009

7 Dollar Taxi Encourages You to Do the Robot!

Seven Dollar Taxi is a band out of Switzerland that is burning up the path blazed by bands like the Libertines and the Strokes. They play wacky and woozy power pop that is sure to lift your spirits on a rainy day (Like today?). Plus their new video has some sweet rotoscoping and is about doing the infamous dance move… “The Robot”! What’s not to like?

January 13, 2009

New Murder Mystery Song

NYC band Murder Mystery are back with a new single entitled “The World” that is a nice mellow tune that draws on the best of the Psychedelic Furs, The Cure and the Strokes. Above all the chiming guitars and pulsing synth is vocalist Jeremy Coleman’s charming vocals and lyrics. If you’re starving for some new Strokes material, this will definitely hold you over.

January 2, 2009

Exclusive! 10 Questions with Steve Schiltz of Longwave!

10 Questions with Steve Schiltz of Longwave
By: Aaron Z. Lee

I was planning to see NYC indie rock band Longwave at the Mohawk in Buffalo, but in true crappy Central New York weather tradition the show was postponed to the spring due to a huge lake effect storm, but I still got a chance catch up with Longwave’s modest frontman Steve Schiltz and discuss a few things including their current tour and electrifying new album that was #3 on my best of 2008 list.

1.Your new album sounds great. Do you think that RCA is kicking themselves for dropping you?

I don’t know. Probably not yet. give us time.

2. There are a lot of songs about being lonely or reaching out to friends on Secrets Are Sinister. I know you guys wrote the album while you were unsigned, did it feel like the end of the road?

Sure, a little bit. The record deal didn’t really have a lot to with it, though. If the band wasn’t going to make a new record it wouldn’t have been because of RCA dropping us, it would have been because we were tired of it. We always thought we could get another record deal somehow. We just had to see if we still WANTED to do it.

3. There’s a noticeably more aggressive sound to this record, with you guys even incorporating some guitar solos into the songs, how did this come about?

There were always guitar solos here and there, and most of the time they were me. Shannon would always say I should do more. I went out on tour for a while with some other bands and I got into playing my guitar more, so I was ready to do it. I wanted the guitars to be important on this record. I had a lot of ideas about what I wanted to do with the sounds, especially with the distortion and fuzz sounds.

4. On There’s a Fire, you and Shannon Ferguson wrote the bass parts and assigned the keyboard parts to new members. Is that how it worked out on Secrets are Sinister?

The record was mostly made by Shannon, Jason, and I. So it was kind of like you are saying, except Morgan did join the band towards the end of the recording. Paul and Jeff, who toured with us on there’s a fire, also played on a song or two. We used some recordings we had done at that time, and they had done a good job, so why not?

5. You guys did most of the work on this album yourselves, how does that compare to the past records you’ve worked on?

We have always been very involved. Shannon and I especially. And every record has had some kind of home/demo recording end up making it to the end. This time we just did MORE of it. It is not the first time we have done it, Shannon recorded our first indie record, “Endsongs”. And we had our friend Pete min mix it. Pete recorded some of THIS record too.

6. Does touring with a new album after so much uncertainty feel like a victory?

YES!

7. How have the crowds been reacting to the new songs in general?

So far so good. I write 12 or 13 song set lists, and people generally shout out a few they want to hear. If we know them, we play them. If we do an encore, we generally end at about 16 or 17 songs. So that is nice. I still write the set lists kinda short in case it feels like the show is going badly…

8. You’re originally from the Rochester, NY area, is there anything about that area that inspired you to go into the music business?

Our drummer Jason is also from Rochester! And I am IN Rochester for the holidays right now! I only knew that I couldn’t stay in Rochester and play music the way I wanted. The guys I wanted to meet just weren’t there. There were people, like Tony Gross at GFI, John Nau who still repairs my amps, the house of guitars guys, and guys in exploding boy, officer friendly, and the dizzy monk guys, who I learned so much from. It was just that after a few years I knew I needed to go to New York. Ironically, Dave Fridmann is from close by. Dave is amazing. There are great people in/near Rochester, I suppose learning from them made me want to keep going. that meant going to New York.

9. Your new album is being released by the Original Signal indie label, how did you guys get hooked up with them?

Our A&R guy now worked on “there’s a fire” at a different company. People shuffle around, and he wound up at this label and they seemed like they really wanted to do it, and wanted to work hard, so here we are!

10. You guys have toured extensively in the past with lots of bands including Spoon, The Strokes, Kasabian and the National. Since it’s the holiday season, do you guys have any great holiday or snow related memories from touring?

Not GREAT memories!! Hmm……I remember rushing to Boston in the snow once to play some NEMO festival or something. I was still booking the band, this was around the time of our first record. Before RCA. Anyhow I booked this show and someone had given me the hard sell, it was big deal, label people there, lots of BS, etc etc. We wound up in a snow storm, and thought we were surely going to miss it. Our drummer Jeremy got behind the wheel and Shannon guided him through all kinds of tricky traffic maneuvers. We somehow made record time! We pulled up 10 minutes before our set time, and the band before us was just playing their last song! We had made it! We loaded our gear down the stairs in the freezing cold, into the middle east downstairs. We parked the van, started setting up the amps, we couldn’t believe how lucky we were. We were awesome! Then we looked out into the crowd. There was no one there. I think that sums up something for us.

Thanks for doing this interview and hopefully I’ll get to see you guys in Buffalo next year!

Thanks for writing about us, Aaron! Come and say hi at the show.

December 18, 2008

The Rakes Ring in the New Year with "KLANG"! New Album and Tracklist!

The Rakes are set to release their third album entitled ‘KLANG’ on the 23rd of March and will release the album one week earlier (March 16) on 7″ and download through V2/Co-operative. The album was recored at Planet Roc Studios in Berlin by Chris Zane who has produced Les Savy Fav, The Walkmen and Passion Pit.

The Full Tracklisting is:

You’re In It
That’s The Reason
The Loneliness Of The Outdoor Smoker
Bitchin’ in the Kitchin’
The Woes Of The Working Woman
1989
Shackelton
The Light From Your Mac
Muller’s Ratchet
The Final Hill
Never Get Married

The band also managed to film a bike/walking tour of the recording facilities where they recorded the new album and set it to the first single from the album ’1989′! The new single comes complete with jittery rhythms, neurotic lyrics, and shambly harmonies. For sure, a preview of good things to come!

October 11, 2008

Longwave’s Forthcoming Album "Secrets Are Sinister" Features huge atmosphere and epic hooks!

Longwave, the Brooklyn, NY based indie rock quartet are set to release their fourth album “Secrets are Sinister” November 11. Their new album features soaring guitar melodies, huge epic atmosphere, grinding bass and Steve Schiltz’s voice ringing louder and clearer than ever before. They were previously dropped from the RCA record label, presumably because of the shake up of the band’s line-up which at the time seemed rather ridiculous because I felt that their “There’s a Fire” album showed incredible potential, even moreso than “The Strangest Things”. The indie label “Original Signal”, intelligently, picked up Longwave and is about to release “Secrets are Sinister”. I suppose the joke’s on RCA now, since this new Longwave endeavor is the loudest, coolest, and most concise Longwave have sounded to date.

Here is their fall tour schedule:

Oct 24 2008 8:00P Bowery Ballroom — w/ Jay Reatard — CMJ Show New York City, New York
Dec 9 2008 8:00P The Casbah (21+) San Diego, California
Dec 10 2008 8:00P The Troubadour West Hollywood, California
Dec 11 2008 8:00P Rickshaw Stop San Fransisco, California
Dec 12 2008 8:00P The Phoenix Theatre Petaluma, California
Dec 13 2008 8:00P Dante’s Portland, Oregon
Dec 14 2008 8:00P Chop Suey Seattle, Washington
Dec 16 2008 8:00P 7th St Entry Minneapolis, Minnesota
Dec 17 2008 8:00P Double Door Chicago, Illinois
Dec 18 2008 8:00P The Pike Room @ The Crofoot Pontiac, Michigan
Dec 19 2008 8:00P Mohawk Place Buffalo, New York
Dec 20 2008 8:00P TBD —- New York City, New York

Longwave – Satellites (Highly Recommended)

Longwave Myspace

March 14, 2008

Wesley the Robot

Wesley is one suave automaton. Here are some songs that I’ve been enjoying lately.

LCD Soundsystem – Big Ideas

The Faint – I Disappear

The Raveonettes – Hallucinations

Feist – I Feel It All (Britt from Spoon Remix)

The Secret Machines – Lights On

Dandy Warhols – Horse Pills

Hot Chip – Shake a Fist

The Flaming Lips – Pilot Can at the Queer of God

Chairs in the Arno – I Never Loved You Anyways

The Somnambulants – Burning Daylight

(We Are) Performance – Live a Little

The Strokes – The Way it is

Spoon – Bring it on home to me (Sam Cooke Cover)

Iggy Pop – The Passenger

Interpol – PDA

The Wombats – Kill the Director (CSS Remix)

Talking Heads – Once in a Lifetime

Prince – Black Sweat

Grafton Primary – I Can Cook

Does it offend you, yeah? – Let’s Make Out (Extended Mix)

August 26, 2007

Crash with the Cribs

Filed under: The Cribs,The Strokes — AZLTRON @ 11:42 am

When it come to raucous rowdy bar music, the British have got us beat both in enthusiasm and catchiness. The embodiment of this claim lies with the Wakefield trio, the Cribs, whose stripped down raw rock anthems seem to start off as a rant to the bar tender and grows into an all out sing along riot. Their new album “Men’s Needs, Women’s Needs, Whatever” was produced by Franz Ferdinand frontman Alex Kapranos, and you can hear that classy gent’s influence on the band especially when lead singer Ryan Jarman tames his vocals with a little swoon or adds in a super catchy “Oh Oh oh OH!” The sound of The Cribs is like three instruments being released into the wild of a Strokes concert. I imagine the recording process was less like singing into a can and more like video taping a lion while trying to tranquillize and cage it. It’s dangerous, and you may regret it, but if it works you’ll never stop playing it for your friends.

MP3 – Men’s Needs – The Cribs

MP3 – I’m a Realist – The Cribs

Video for “Men’s Needs”:

August 21, 2007

Murder Mystery Solved!!

Filed under: Brian Wilson,Magnetic Fields,The Strokes — AZLTRON @ 11:37 pm

Murder Mystery are a band from New York City that are instantly catchy. Think 3 parts Strokes, 2 parts Magnetic Fields, 1 part Brian Wilson harmonies, 5 parts blues bar room shuffle and all parts fun. Their debut LP “Are You Ready For The Heartache, Cause here it comes” is a 33 minute collection of stripped down contagious pop-rock.

The project started when Jeremy Coleman (Vocals, Guitar) played a few songs that he had to his friend Adam Fels (Bass, Guitar) and before long Jeremy’s tap dancing sister Laura joined them on drums and Kevin Jaszek on guitar fleshed out the band’s roster. Since then they’ve played with many notable acts like, The Wrens, The Fields, The Grassroots, Sondre Lerch, and Apostle of Hustle (of Broken Social Scene). If you give Murder Mystery a chance you will be wooed and wowed by their friendly charm and narcotic level of catchiness.

MP3 – Love Astronaut – Murder Mystery

MP3 – Tell Me I’m Your Man – Murder Mystery

Murder Mystery Myspace (Say that three times fast!)

May 11, 2007

Bob Moog would be Proud.

Filed under: Phantom Planet,Rooney,The Moog,The Strokes — AZLTRON @ 10:07 pm

The Moog offer up a fun, if not redundant take on pop-rock. The Hungarian 5-piece plays music in the same vein as Rooney or Phantom Planet with clear inspiration from the Strokes’ early work. Their bouncy garage rock sound sounds perfect for radio, and will probably get any party started before you can say “Black Eyed Peas”. The obvious single is the aptly adolescent “I Like You” (4) with its giddy freak out sound. “Anyone” (7) sounds like, for a long time, like they’re going to keep it a subdued piano ballad but around 1:08 they break it out Beach Boys style, and it works. My favorite track here, “If I Died” (6) plays around with some Stills-esque vocal style along with the catchiest hook to be found on the album. While the album at times seems to follow a “song by numbers” type formula, you can’t deny that the formula works.

Moog Myspace

Buy Sold for Tomorrow

MP3 – I Like You – The Moog

MP3 – If I Died – The Moog

The Making of the “I Like You” Video:



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